The problem of “runaway production” — California’s loss of shooting days to other states, largely due to the generous tax credits and other incentives offered elsewhere — is a staple of industry panel discussions.
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It is work that has kept some of these studio veterans busy for years, even decades: playing the music that propels the action and heightens the emotional stakes in all sorts of movies and, on rare occasions, even sells millions of records. It is also, many observers say, work that is increasingly going elsewhere as a result of long-standing union agreements that some producers find troublesome.
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